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Eva Davidova

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EVA DAVIDOVA explores behavior, ecological disaster, and interdependency through performative works rooted in the absurd. She is a Spanish/Bulgarian, New York-based interdisciplinary artist with focus on new media(s), information, and their socio-political implications. Davidova has exhibited at the Bronx Museum, the Everson Museum, the Albright Knox Museum, MACBA Barcelona, CAAC Sevilla and La Regenta among others. Recent exhibitions include Global Mode > Omnivores at the Instituto Cervantes New York, Global Mode >, a participatory online performance at ISSUE Project Room, The Sound of One Computer Thinking at the IMPAKT Festival (Netherlands), Intentions: Transfer and Disappearance II, or Who Owns Our Emotions at EdgeCut series at NEW INC and Global Mode > Narcissus and Drowning Animals at the CBA in Madrid. She was a fellow of Harvestworks’ Technology Immersion Program for Artists, Residency Unlimited, and is currently a member of NEW INC, the New Museum incubator at the intersection of art, design and technology.

Horsewoman
Appearing Normal

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Horsewoman Appearing Normal
"Horsewoman Appearing Normal" (2021) Holographic animation loop and an NFT. It takes an object of desire and speculation aesthetic to make an image of an ecological and social disaster that we are already in—that we have set ourselves for extinction, and keep programing ourselves for suicide. Sound: Matthew D. Gantt Please note that due to the nature of the holographic fan, image representation is nearly impossible. This is very interesting for me conceptually, as it creates a physical-only experience out of a 100% digital file, but at the same time any attempt for proper documentation fails.

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